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Exam I Study Questions |
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DUE: |
March 9th |
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WEIGHT: |
20% |
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FORM: |
Typed, submitted in
both hard copy and as Word attachment to email (ljohnson@utep.edu) |
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QUESTIONS: |
1.
While the physical conflicts between Beowulf
and Grendel, Grendel’s mother and the dragon are the central events
in the poem of Beowulf, far more lines are given over to verbal
exchanges; we also see the power of the word celebrated in Elene,
Juliana and the Dream of the Rood. Catalog a number of the
significant speeches in these four works and then describe the
outcome or result of each—how does each impact on the listeners? Provide a modern analogue for each instance of “effective speaking.”
OR:
2.
The
ancient Stoics and then Christians influenced by the writings of
Boethius articulated an idea of “Fate” in the form of a divine
“Providence” which ultimately made everything work out—necessarily
for the best under the guidance of an eternal, all-knowing,
all-powerful, and all-benevolent First Mover. That vision encouraged
Anglo-Saxon Christians to attempt a reframing of the pre-Christian
idea of “wyrd” (from which we get our modern word “weird”) to make
it congruent—at least on the surface—with Christian Providence. That congruence, however, is fallacious. Using Beowulf, Judith, the
Seafarer, the Wanderer, Widsith and Deor to develop a description of
the operations of “wyrd” that best reflects the
pre-Christian
understanding of that idea and its entailments for the operations of
an individual. Attempt to find modern analogues to this idea-set
existing outside of the Judeo-Christian tradition today,
identifying significant parallels.
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Exam II Study Questions |
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DUE: |
April 21st |
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WEIGHT: |
30% |
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FORM: |
Typed, submitted in
both hard copy and as Word attachment to email (ljohnson@utep.edu) |
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QUESTIONS: |
1.
Create
a comprehensive composite vision of Anglo-Saxon and Anglo-Norman
women, based upon a close reading of Judith, Elene, Yvain, Sir
Gawain and Dame Ragnell, Sir Launfal and all of the women portrayed
in Beowulf (including Grendel’s mother). What are the strengths they
are expected to have? How do they achieve their goals? What are the
constraints on their actions? Finally, write an assessment of that
type of woman as if you were a spokesperson for the National
Organization of Women (NOW); then write a second assessment as if
you were a zealous opponent of NOW and an upholder of the
“traditional” view of women.
OR:
2.
Some of the individuals we have studied are exemplary in their
achievements, but at the same time, they always confront limits,
limits which are as important to the poet’s vision as their
accomplishment. You are thus asked to describe the “accomplishments”
of Beowulf, Arthur (in the Brut), Yvain and Gawain (in both SGDR and
SGGK), Orpheo and Sir Launfal; then, against those accomplishments,
you are asked to describe the limits that are revealed; then you are
asked to discuss the relevance of such limits for each poem’s
“audience” (which itself should be described). Finally, you are
asked to identify the persistent concern with such limits by finding
similar “limits” constraining “heroes” in modern fictions—novels,
films, or TV series.
AND:
3. This
course has approached works from a singular perspective; it is only
one among many that have been used to approach these works. You, as
readers, ultimately will decide for yourselves what persistent value
is to be found in these works, but that decision should be based
upon more than what has been discussed in this course. Thus you are
asked to choose one of the works
we have read since the start of the semester and then identify,
read, and evaluate three substantive articles published in academic
journals since 1990 on the work you have chosen. Specifically, you
are charged to (1) summarize the conclusions and the evidence
offered in support of those conclusions in each article; (2) compare
and contrast those conclusions to those put forth in this course;
and (3) assess the validity and the utility of those conclusions
against those put forth in this course as ideas that will shape your
future responses to the world around you.The value of this
enterprise lies in your efforts to think independently and
analytically; my “feelings” will not be “hurt” if you disagree with
the conclusions I draw (which are, in any case, only tentative and
exploratory). What is important is that you demonstrate an honest
effort in thinking about the issues raised in both this course and
the articles you read and then in drawing conclusions of use to you,
as a person and a student of words, language, and stories. |
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Final Exam Study Questions |
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DUE: |
Noon, May 15th |
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WEIGHT: |
50% |
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FORM: |
Typed, submitted in
both hard copy and as Word attachment to email (ljohnson@utep.edu) |
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QUESTIONS: |
Part 1 (65%) Respond to
2 of the following 3 prompts (minimum 1000 words
each).
1.
The
shelves at Barnes and Noble abound with books on leadership in America, from the autobiographies of
the heroes in war and business to the handbooks for leader
wannabe’s. Widsith claimed to instruct a leader in effective
leadership through his “word hoard” and throughout the medieval
period, poets return to the theme of leadership. Provide an analysis
of the unique ideas about leadership articulated in Beowulf,
Layamon’s Brut, Yvain, and Sir
Orpheo; also note what might be criticisms of leaders implicit in
Sir Gawain and the Green Knight and in Sir Gawain and Dame Ragnell
and Troilus and Criseyde. Then document, from contemporary sources,
the persistence of those concerns today.
2.
The
Dream of the Rood and the Christian teleology it depicts gives a new
destiny to the individual. Describe the pre-Christian view of the
individual as represented by the Seafarer and the Wanderer; then
present an analysis of what the Christian vision expects of the
individual, as articulated in Sir Gawain and the Green Knight, and
The Pearl. Finally, Both
Mankind and Troilus and Criseyde depicts the multitude of
problems—within the individual and within larger societal
relationships—that compromise
an individual’s ability to make the right moral choices. Assuming
that each of these poets is writing to call the audience’s attention
to problems in living a virtuous life, what problems do you think
each is addressing? How are these of concern to Christians today?
Finally, to what extent would those concerns be shared today by
those who are not professed and practicing Christians?
3.
One vision of the nature of evil and how we are to respond to it is
offered in Beowulf; another in Elene. What are those visions? How do
Layamon and Chretien de Troyes represent evil, its nature, and the
right response to it? Chaucer’s Troilus and Criseyde offers its own
vision: what is it? Mankind presents a vision of evil in the life of
an ordinary person; what is it. What similarities do you see among
these various visions of evil and how is each nonetheless distinct?
Find parallels in contemporary discussions of societal evils to each
of these visions.
Part II (35%) to be answered
by all:
Once
again you are asked to choose another of the
works we have read since the start of the semester (other
than the work chosen as your subject for the second exam)
and then identify, read, and evaluate
six substantive articles published in academic journals since 1990
on the work you have chosen. Specifically, you are charged to (1)
summarize the conclusions and the evidence offered in support of
those conclusions in each article; (2) compare and contrast those
conclusions to those put forth in this course; and (3) assess the
validity and the utility of those conclusions against those put
forth in this course as ideas that will shape your future responses
to the world around you. Again, The value of this enterprise lies in
your efforts to think independently and analytically; my “feelings”
will not be “hurt” if you disagree with the conclusions I draw
(which are, in any case, only tentative and exploratory). What is
important is that you demonstrate an honest effort in thinking about
the issues raised in both this course and the articles you read and
then in drawing conclusions of use to you, as a person and a student
of words, language, and stories. |
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